文化 · 艺术与康复
维维安·朱莉的医院画作承载着不止一种记忆
原语言视频
译自英文原文。
维维安·玛琪琳·朱莉回忆,自己进入医院时既愤怒又生病,还孤身一人。她后来创作的画作留存了那份痛苦,也记录了欢笑、安全感和友谊——这些同样成为那段经历的一部分。在洛杉矶的一场展览中,这位18岁的年轻人讲述了自己因饮食失调住院的经历,没有将痛苦与慰藉简单地划分开来。1
她以维维安·玛琪琳之名参展,将郁金香画作与住院期间写下的日记句子并列展示。她的艺术家陈述被《娱乐周刊》在2026年11月13日的报道中引用,披露了作品背后的经历:“和许多人一样,我一直在与心理健康问题作斗争。我也一直在与饮食失调作斗争。”1
她写道:“今年年初,我因饮食失调住院。我很愤怒,病得很重,也感到非常孤独。”按她的说法,这说明住院发生在2026年年初,但无法确定具体入院日期。相关披露依据的是已发表的陈述引文;未经独立核实,无法确认画廊原始声明的真实性。1
以花朵代替人
“郁金香田”是维维安给自己住过的医院起的名字。据《娱乐周刊》描述,画作赋予郁金香人的特质,并将它们置于医院周围不同地点。她称这些画面为“在那里度过的时光片段”。这些花朵并非单纯的装饰:它们承载着她想要记住的人和经历。1
她的解释表明,没有照片这一点是这个项目的核心。她写道:“当然,我们在郁金香田的时光没有留下任何照片”,并将画作称为“我们最纯粹的记忆,得以保存”。这些记忆包括绝望、无法控制的笑声、安全感和勇气。她的选择没有让任何一种情绪单独定义那个地方。1
这是现有展览报道中最引人注目的构想。人们既可以记得医院是深切痛苦发生的地方,也可以同时记得自己曾在那里遇见善意。两种记忆不必相互抵消。在这里,郁金香为那些相互矛盾的经历提供了共同的视觉语言。
维维安认为,其他患者和医院工作人员改变了她对住院生活的感受。她写道:“然而,最终,医院里的孩子们和工作人员所给予的善意与温暖,融化了我筑起的高墙。”“我从未笑得或哭得那么厉害,从未如此坦诚,也从未如此做自己。”1
她着重讲述其他孩子给予她的东西:“那里的其他孩子教会了我,当你最脆弱时,如何保持坚强。”这段叙述将陪伴,而非独自战胜疾病,置于她选择公开的记忆中心。1
那是我人生中最糟糕、也最美好的时光,而这段经历让我变得更好。
日记打断了圆满的结局
画作旁展示的日记句子,让这场展览不只是一段事后回顾。它们将住院期间写下的话,与她后来选择画出的记忆并置。一段标注日期为5月14日的摘录写道:“我为自己需要在医院待这么久而感到内疚。”1
一段4月20日的摘录写出了困惑与强烈的敏感:“我[太]陷入一种茫然不知所措的状态。遗忘中有一种美,有时我希望自己也能如此,但我对一切都感受得太敏锐。”这不是一个事后给出轻松教训的人所说的话。它们留存了身处这段经历时的不确定感。1
这些摘录并未说明她何时入院或出院,也没有说明她住了多久。它们在展览中的意义不同:让痛苦与她后来回忆中的温暖并存。感激之情不会抹去日记里记下的内疚,正如欢笑不会抹去孤独。
维维安是安吉丽娜·朱莉和布拉德·皮特的女儿,但这段叙述的实质来自她自己的陈述。《娱乐周刊》称,朱莉的代表没有立即回应其置评请求,而皮特的代表则拒绝置评。两方的回应都没有提供有关她接受治疗的信息。1
公开叙述没有透露具体的饮食失调诊断、医院名称、她接受的治疗、出院日期或目前的健康状况。它也没有证实绘画是治疗的一部分或由医生开具。她说自己“因此变得更好”,这是她对这段经历意义的个人判断,并不能证实她已完全康复,也不是某种特定治疗有效的证据。1
她所提供的是一份艺术记录,而非医学结论。它的力量在于同时呈现不止一种真实:她曾生病且孤独,也曾获得关怀与联结。这些画作为两者都留出了空间,无须将任何一方变成全部故事。
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- Particle: Vivienne Jolie Reveals Hospital Stay for Eating Disorder At Los Angeles Art Exhibition
- Particle: Vivienne Jolie Reveals Hospital Stay for Eating Disorder Through Los Angeles Art Exhibition
- Particle: Vivienne Marcheline Jolie Reveals Hospital Stay for Eating Disorder in Los Angeles Exhibition
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播出原貌
- Vivienne Marcheline Jolie turned memories of her hospital stay into paintings.
- The 18-year-old says she was hospitalized for an eating disorder at the beginning of 2026. Her Los Angeles exhibition paired paintings with journal entries written during that experience.
- How does she portray a hospital stay she calls the worst and best time of her life?
- Forager Crafts hosted the exhibition from November 2 to November 8. Vivienne presented her paintings under the name Vivienne Marcheline. She called the show “The Tulip Field,” the name she used for the hospital where she stayed.
- The full exhibition title was “The Tulip Field: A Gallery on Patience of Patients.” Her artist statement connected the work directly to her experience of illness and to the people she met while hospitalized.
- “Like many, I have struggled with mental health,” she wrote. “I have also struggled with an eating disorder.” She described how she felt when she entered the hospital in three plain words: angry, sick and alone.
- Vivienne is the daughter of Angelina Jolie and Brad Pitt. A representative for her mother hadn't immediately responded to a request for comment, while her father's representative declined to comment. Vivienne's own words describe the experience behind the exhibition.
- Her paintings give tulips human qualities and place them in different locations around the hospital. She described them as “moments in time spent there.” Flowers carry the memories of a place she remembered through both distress and connection.
- She wrote that there were no photographs of their time at the Tulip Field. Painting gave her a way to preserve what she called “our purest memories.” Those included hopelessness, uncontrollable laughter, safety and bravery. She wanted to hold on to more than one feeling about the same place.
- Other patients helped change how she experienced the hospital. She said the kindness of the children and staff broke down the walls she'd built. “The other kids there taught me how to be strong when you are at your weakest,” she wrote.
- She also described a closeness that allowed her to be more open. “I have never laughed or cried harder, never been more honest or more myself,” she wrote.
- Subscribe to this channel to follow any further account Vivienne chooses to share about her experience and her art.
- Her journals preserved distress alongside those memories of connection. In an entry dated May 14, she wrote, “I feel guilty for needing to be in the hospital this long.” An April 20 entry described bewilderment and feeling everything with intense sensitivity.
- Sentences from those journals appeared beside the paintings. Visitors encountered both her later reflections and words she wrote while she was still living through the experience. Her account gives illness and loneliness a place alongside care and solidarity with other patients.
- “It was the worst and best time of my life and I am better for it,” she wrote. That's how Vivienne describes what the experience meant to her. She hasn't shared her current medical condition.
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